I was sitting around reading The New York Times and watching the Patriots-Titans game tonight, when I suddenly got transported back into the 1960s, my favorite decade. (I’m sure many of you fellow Baby Boomers can relate.)
What sent me tumbling into the past was an obit about a big band trumpeter named Jack Sheldon, who died Dec. 27 at age 88. The obit said in part…
Known for his warm rich trumpet sound, Mr. Sheldon was also a busy studio musician, accompanying singers like Frank Sinatra and Peggy Lee and playing on the soundtrack of numerous movies. He was a favorite of soundtrack composers like Johnny Mandel — who featured him on “The Shadow of Your Smile,” from the 1965 movie “The Sandpiper” — and Henry Mancini.
The reference to “The Shadow of Your Smile” stopped me cold…That was it for the football game; I was off to the computer, Googling various YouTube versions of that song, which I hadn’t heard or thought about or in maybe decades.
But, God, did I — and do I — remember it. It’s one of the most beautiful and haunting songs ever. A commenter on one YouTube version likened its mesmirizing effect to watching a leaf descending gently, to and fro, from a tall cypress tree.
The movie, starring Richard Burton and Elizabeth Taylor, came out in 1965. At the time, I was a lost-in-the-world freshman in college back in Lousville. I’d had a rough time in my all-boys, Catholic high school, and the blues persisted in that first year of college. One of the main things that propelled me forward and gave me hope for future happiness was the great music of the ’60s.
In my freshman year at Bellarmine College, I remember one of the priest-teachers at Bellarmine College talking about the power of music in class one day. He looked at me — I was sitting in the front row, as I recall — and said, “Music soothes the soul, doesn’t it, Fitzpatrick?”
“Yes, Father, it does,” I said, nodding in unequivocal agreement.
“The Shadow of Your Smile” is certainly a song that soothes the soul, not only with its lilting melody but the great lyrics (written by Paul Webster), which include these lines…
The shadow of your smile
When you are gone
Will color all my dreams
And light the dawn
Many artists have recorded the song, including Tony Bennett, Andy Williams, Bobby Darin, Barbra Streisand, Astrud Gilberto, Johnny Mathis and Engelbert Humperdink.
It was so good it won the Grammy Award for Song of the Year and the Academy Award for Best Original Song.
The best vocal version I came across tonight was, not surprisingly, Tony Bennett’s. He’s a master, of course, of slow, romantic songs. His phrasing and sense of timing are phenomenal. Time seems to slow down when you listen to a Bennett song.
For three and a half minutes, then, settle back and listen to this…
Even more haunting, if that’s possible, is the original Johnny Mandel arrangement with Jack Sheldon on trumpet. The instrumental version accompanies the opening of the movie, with the credits rolling against scenes of gentle, ocean waves lapping at a rocky shore line.
The effect is overwhelmingly soothing and calming. Relax again now and let this terrific song wash over you and soothe the soul…
I LOVE that song!
Of course you do, Marcie…You’re of the era, you’re from Louisville, where we had one of the best oldies stations in the country (WAKY) and you’re a Sacred Heart girl.
As much as I love Tony and Johnny, Andy Williams’ version is my favorite. I find Tony’s a tad too slow.
That’s a good one, for sure.
Good subject and thoughtful written rumination. Timeless.
He was also a comedian. Loved that song.
I think Jack Sheldon was involved with Anita O’Day.
Jack Sheldon also had a short-lived TV series called “Run, Buddy, Run.” The 13-episode comedy ran in the fall of 1966. I think Buddy had witnessed some sort of Mob crime and had a contract on him. Each episode would have him coming up with some crazy scheme to stay a step ahead of the harebrained hit men.
That was the last I heard of Jack Sheldon until 1977, when I was spinning jazz records on Saturday nights at WSIE-FM near St. Louis. I saw “Jack Sheldon, trumpet” on credits all the time.